I came across an interview with the fabulous designer/art director Annie Atkins. She was the lead for all the graphic pieces in the film The Grand Budapest by my favorite director, Wes Anderson. I so respect and admire that everything was done by hand or how it would have been produced in the 30's. Down to the newspaper which Wes Anderson wrote every word of. Dream job indeed! All photos are from Annie Atkin's site which she so graciously let me use.

Such care, detail and craft in each piece. Most don't get scene but help the actors with character development and authenticity of story.

The last scene filled-the opener to the story and Annie's favorite item. Three were made in case they needed backups.

A model was photographed and the sign was hand-lettered by Annie that was based off a real steel hotel sign from the 30's. The uneven spacing was a Wes Anderson touch.

Madame D's lipstick was used for the kiss so the shade would be exactly right

Madame D's last will and testament was soaked in tea to look aged with every single page filled out